Ayi Kwei Armah's Novel The Healer Tackles issues of.
As an overview of and introduction to Armah's work -- by a man convinced of the great value of this work -- Ayi Kwei Armah, Radical Iconoclast is certainly a useful study. If it helps introduce readers to Armah, and helps foster debate about him (and perhaps African literature in general), it will have already served a valuable function.
The central story in this book tells of an upright man resisting the temptations of easy bribes and easy satisfactions and winning for his honesty nothing but scorn.
The two Ghanaian artists whose work this paper addresses, Ayi Kwei Armah and Ama Ata Aidoo, have been all too frequently accused of the pessimistic recitation of African ills. Molly Mahood has spoken of the “almost total disillusionment” ( Fraser 1980, 15 ) of Armah’s The Beautyful Ones Are Not Yet Born; and Liyong has described the work as one of those “tearing down exercises.
Ghanaian Writer Ayi Kwei Armah Speaks. Ayi Kwei Armah (born 1939) is a notable Ghanaian writer. Early life and education. Born to Fante-speaking parents, and descending on his father’s side from a royal family in the Ga nation, Armah was born in the port city of Sekondi-Takoradi in Ghana. Having attended Achimota School, he left Ghana in 1959 to attend Groton School in Groton, MA. After.
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Situating Ayi Kwei Armah within the traditions of the Akan, a West African-based cultural group, this paper argues that. In Two Thousand Seasons and The Healers Armah appropriates and re-interprets some African beliefs’ myths and symbols. In Armah’s writings the godhead is not a mystical realm but a realm of possibilities. For Armah, the gods are not all- 4 Postcolonial Text Vol 5 No 1.